Dots -- tree leaves and beyond

Dots -- tree leaves and beyond (2), a photo by Paul&Siu on Flickr.

Dots are very useful in landscape painting.  To depict tree leaves, often we have to do a lot of them, and to do them willy-nilly can lead to chaos.   Thus, it is helpful to do them in clusters.  Examples of such are shown in the above figure.  A cluster of 4 is shown in the upper left, and comes in pointy or blunt variety.  A blunt type was used in the the Daijin picture.  The clusters are best done with some overlap, and distributed irregularly.  For a lively effect, the distribution should be irregular -- some overlap, some spaced apart, some concentrated, some dispersed, etc.

Clusters of 5 arranged like the petals of a flower are in the upper right.  Note the 5-configuration can have variations in itself, some arranged in a round pattern, some in a flat pattern.  I also show this pattern crowning the rocks.

Vertical dots dots are shown next.   These are best done using a very dry brush with bristles somewhat splayed.  The stroke starts off heavy (top) and ends light (bottom).  Then one can go over them with lighter ink strokes to give depth (after the strokes have dried). This is the common practice to give depth.  The horizontal dots can be done as a dragging motion of the brush at a shallow angle, again with a dry brush.  Going over with light ink again adds depth.

A few final words.  Vary the pattern.  For the 4-cluster, vary the orientation, length, width of the 4 strokes  For flower pattern, vary the arrangement as discussed above.  Vary the ink tones.  Vary the size and width; (vary the pressure of the strokes and wetness and ink content in the brush).   In dotting a tree, the dots at the periphery of the tree are most important.  They show the most clearly, and should be done with more care.

Dots -- tree leaves and beyond

Dots -- tree leaves and beyond, a photo by Paul&Siu on Flickr.

Dots are very useful in landscape painting.  Here's another segment of the Daijin painting of the previous blog post.  It provides examples of various dot patterns.  To do dots, it is helpful to do them in clusters.  Examples of such are shown in the next blog.  Just note that in this painting, the trees towards the left are done with a dot pattern of a 4-cluster.  The tree toward the right, above the bridge, can be considered to consist of a flower cluster of 5 (though the picture is too fuzzy to make out with confidence).  The rocks and landmasses are crowned with dot patterns as well.  It is useful to think of these also as consisting of distinct clusters;  a 5-cluster appears to work in most cases.

Then there are the overhanging trees in the upper part of the picture.  One has vertical strokes for leaves, and the other has horizontal strokes.  These are typically done with a dry brush, with the bristles somewhat splayed apart.  Note that these linear strokes fall also under the category of dots.  "Dots" in Chinese painting is a broad concept.

In the next blog we discuss how to do these dots.

Happy Autumn 月是故鄉明

Happy Autumn 月是故鄉明, a photo by Paul&Siu on Flickr.

To celebrate the Autumn Equinox, and the Chinese Mid-autumn festival, and to welcome in the fall Chinese Painting class at Kensington,  here is a landscape with a moon added.  The original painting was by Dai Jin 戴進, from the Ming Dynasty.   Titled "Ten thousand leaques of the Yangtze River 長江萬里圖",  it is a long scroll with a long horizontal continuous scenery.  I extracted a small segment,  added the moon and calligraphy, and imbued it with a blue hue using Photoshop Touch on my tablet.  Just for fun 贺中秋！

Using the Samsung Note 10.1 for quick sketch

Using the Samsung Note 10.1 for quick sketch, a photo by Paul&Siu on Flickr.

One key attraction for this tablet is the touch-sensitve pen integral to it.  The pen works well.  It can produce lines with flow and energy!  This sketch took just minutes.   The red and the black go well together,  very bold and sharp.